Feliz cumpleaños Torre Eiffel. (El resto de las fotos aquí.)Adiós marzo. Bienvenido abril.

Que tengan un lindo día.
He encontrado que es bastante fácil distinguir al que presume ser un gran lector con sólo dos o tres preguntas.LONDON (Reuters) - A Mexican national who told airport immigration he was visiting Britain to see a friend was swiftly deported after a search unearthed a good-luck card in his luggage wishing him well for his "new life in the UK."
UK Border Agency officers at Manchester Airport routinely stopped the 40-year-old chef after he arrived on a flight from Los Angeles last Friday.
The man told them he was on a short trip to see a friend who was opening a restaurant in the area.
"However, a search of the passenger's baggage revealed a huge collection of Mexican food recipes and a good-luck card from his church wishing him well for his 'new life in the UK,'" the agency said in a statement.
The man later admitted he had intended to work at the restaurant illegally and had planned to bring his family over from America if he liked it.
He was deported the next day.
"We will not tolerate people coming here to work illegally," the agency said. "People wanting to visit the UK must play by the rules. Those who do not are sent back."
"It’s hard to hold onto any reservations in the face of Mr. Boyle’s resolutely upbeat pitch and seductive visual style. Beautifully shot with great sensitivity to color by the cinematographer Anthony Dod Mantel, in both film and digital video, “Slumdog Millionaire” makes for a better viewing experience than it does for a reflective one. It’s an undeniably attractive package, a seamless mixture of thrills and tears, armchair tourism (the Taj Mahal makes a guest appearance during a sprightly interlude) and crackerjack professionalism. Both the reliably great Irrfan Khan (“A Mighty Heart”), as a sadistic detective, and the Bollywood star Anil Kapoor, as the preening game-show host, run circles around the young Mr. Patel, an agreeable enough if vague centerpiece to all this coordinated, insistently happy chaos.
In the end, what gives me reluctant pause about this bright, cheery, hard-to-resist movie is that its joyfulness feels more like a filmmaker’s calculation than an honest cry from the heart about the human spirit (or, better yet, a moral tale). In the past Mr. Boyle has managed to wring giggles out of murder (“Shallow Grave”) and addiction (“Trainspotting”), and invest even the apocalypse with a certain joie de vivre (the excellent zombie flick “28 Days Later”). He’s a blithely glib entertainer who can dazzle you with technique and, on occasion, blindside you with emotion, as he does in his underrated children’s movie, “Millions.” He plucked my heartstrings in “Slumdog Millionaire” with well-practiced dexterity, coaxing laughter and sobs out of each sweet, sour and false note. "

Dos sobre religión:



